Essential. Accessible. Whatever.

With some trepidation I chose today to watch the Hunger Games online — live video feed plus chat (moderated by Hannah Classen and Brian Francis).

I was planning on blogging about it today, right after the big event but, well… I painted my bathroom instead. Then I did some laundry, played with the dogs, trolled the internet, you know.

Yeah, it was that interesting.

Good point, Box 761

I found myself distracted by the inane commentary of the live chat — I spent some fascinated moments looking to see what Brian Francis was going to paraphrase; I started sending comments, just to see if they’d post them (see above). It was kind of fun, in a slighty nauseating kind of way.

Worried that I was going to lose some of it. I started cutting and pasting, just so I could go back and enjoy it all later… insightful comments about the whole Canada Reads process like one from a listener/emailer named Aaron, who asked:

What does the winner of this get?

Oh dear.

And really, aside from amusing myself with the online chat stuff, I did listen, really I did. I’ve made this topic a bit of a speciality of the house, these past few months, and I do a lot of thinking about it. Aside from rummaging around  my own big brain, I’ve been finding some bloggers/writers who are writing some pretty interesting stuff about #canadareads lately, as well.

I mentioned the Walrus article in a previous post — essential reading, I think (more on that word, essential, later), and after much quiet out in the Districts (a Hunger Games reference, fyi) people are finally starting to talk. Charlotte Ashley over at Inklings has been writing some really great, funny and honest stuff. Her exasperation is a breath of fresh air.  Bonnie Stewart, social media maven, wrote some great commentary here today in her blog. I like this, and I love the fresh, irreverent… frustration I hear in these voices.  We’re all bookish sorts, we all love writing, reading, reading about writing — all of it. And what I am starting to hear is a sense of loss — where is the respect, the dignity that writing should have?  What is the CBC doing to contribute to meaningful commentary about literature in this country? Is Canada Reads doing it?

Nah. I can’t even go into depth on this one right now. It makes me tired and bores me. I’ve said it over and over again. Watching that train wreck today was like, I dunno… watching a pretend show about books. It was like a sitcom book panel — you had a smart and earnest young woman, a driven “career gal”, a business man, a sports guy (“life is a battle!”), and an Aboriginal actor/director. After an agonizingly long introductory session (with cheesy voiced-over slideshows for those watching online) with awkward speechifying, they finally got to the point in the show where they were supposed to, you know, debate.

I must have nodded off for a moment because the next thing I knew, they were talking about books being “accessible” and “popular” and then some of them seemed to think that the point of the show was to discuss “getting kids reading”…. Nowhere did I hear anyone even attempt to qualify what “essential” means. I’ve been waiting for that for a while now, I guess I shouldn’t be surprised that it continues to go unproblematized. So what if the entire shebang is based on these books being “essential”, right?

In keeping with my interest in the peripheral commentary, I saw the following on Facebook this evening:

"Gateway book"?

I think there’s a whooooooole lot of confusion in that post. (Where do they get their stats, and help me out here — is “semi-illiterate” better or worse than “semi-literate”?) I get what they are trying to say, but it’s a cobbled together mish-mash of ideas that culminates in the Grand-daddy of all concepts.

I refer, of course, to that of the “Gateway Book”.

Holy mother of all things literary, what the heck is that? I have no doubt that the person who wrote that post thought they were making some really valid points. Some of those points were voiced by our celebrity panel earlier today. For some reason, all of a sudden, books aren’t about you know, craft, or art

Books are now about being “accessible” (which I guess in our culture now means “easy”?).  At this point, I would be happy if they went back to talking about “essential” — somehow that’s less offensive to me.  “Accessible” means “easily approached or entered” (according to my quick but hilariously apt google search for a definition).  At least “essential” implies worth of some sort. In my world, “accessible” means that all people are able to access the material, not that the book is easy for “semi-illiterate” people to understand.

I'll bet she's reading Lemire's book right now!

But. um. Gateway book? hee hee. What’s next, reading chapter books? Staying up all hours of the night reading?  OMG, what if they start to read… poetry.  It’s like Reefer Madness, but with words. You know, it seems harmless at first, you let them read a few picture books, some comics, then a graphic novel… then all hell breaks loose — they’re reading everything and don’t care who knows it!

It’s as if writers (and Canada Reads judges) are now the social workers of the reading world. They have to get those kids reading, and it has to be easy, that goes without saying.

 

Hm. Where was I?

Sorry, so easy to get carried away. There’s almost too much to think about here, and so little time. Tomorrow this will start all over again. We will hear Georges say that life is a battle. We will see Ali Velshi do his thing —  slyly clever schtick-y sound bites that upon reflection don’t actually say much. Debbie Travis — successful mogul Debbie — will continue to slide her eyes down and sideways and tell us how nervous she is. Lorne Cardinal will be thoughtful but not forceful (I almost forgot he was on it for a moment there). Sara Quin will be articulate and free to speak her mind, and flush with the power of being a swing vote.

Who’s going to get kicked off tomorrow? I think they must be going in reverse order, from best book down, so I think Carol Shield’s finely realized and beautiful book Unless will be the next to go (in my mind they were tied for 1st place). I don’t like it, but there you go.  Essex County is a great book, and it made me think about novels and the creative process in ways that many other books haven’t in a long time.

Personally, I’m pretty sure that none of those five books are the “essential” book of the decade. Maybe someday we’ll all have to have a little chat about that — which books we think are essential.

First, lets define essential though, okay?

 

10:28

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Brian Francis:

“Haunting connections between the characters…cinematic.” Sara

Monday February 7, 2011 10:28 Brian Francis

10:28

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Hannah Classen:

And she didnt’ even need all the time!

Monday February 7, 2011 10:28 Hannah Classen

10:28

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Brian Francis:

Lorne’s turn.

Monday February 7, 2011 10:28 Brian Francis

10:29

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[Comment From Aaron Rodgers Aaron Rodgers : ]

What does the winner of this get?

Free lunch, with a side of contempt.

You know that old saw about there not being any such thing as a “free lunch”? I’m guessing that the contestants in the Canada Reads 2011 Hunger Games are thinking about that right about now.

They are everywhere. I see them tweeting and facebooking and getting themselves “out there” like crazy. I see the producers of the Games have them singing for their suppers: “Holiday Gift Guides”? please. I wonder if they’re paid for that work by the CBC? (odds are, they aren’t.) There are podcasts and interviews and articles and tweets…. it’s kind of crazy making, really. I’m starting to feel a bit sorry for them.

Not too much — really, it’s a great thing to be nominated and I’ll bet that it’s helped sales of their books. Always a good thing. I wonder, though, just how much dancing they’re doing? How much of their time is now taken up shilling for the CBC?

I’m being a bit harsh here — perhaps belabouring it a bit to make a point. But here’s the thing, and it’s the same thing that’s been bugging me all along: where is the dignity in this? Why is it that the authors not only create the art, but then have to run around selling it too? Since when do they have to write freaking holiday gift guides in order for the Hunger Games overseers to publicize their books?

I wonder what Flannery O’Connor would have put on her holiday gift guide or if she would have tweeted, tongue in cheek about how a “good book is hard to find”. Oh, how droll that would be, no? It would have helped the Hunger Games producers a lot, and would have been completely in keeping with the snide/sly/self-referential tone of the CBC Hunger Games’ branding.

Speaking of which. Can I just say that my deep antipathy to the over-all tone of the CBC Canada Reads site — nay, the entire CBC Books portal — is growing daily. Sometimes I go there and cannot believe my eyes. I’m not sure what bothers me the most, but there are days when I just can’t manage to get past the tone of it. The “voice” is very clearly that of a twenty-something smarty pants who isn’t half as smart as she thinks she is. It is derisive and sly and just so insulting.

Case in point. A recent smarty-pants post with a romance novel theme said the following:

With so many romance writers out there, I began to think: How hard can it be to whip one of those novels together? Not very, I told myself! There are how-to guides are all over the Internet. I’m smart. I’m creative. I can write coherent sentences. Surely, I can write a romance novel in a mere month. What better way to get intimately acquainted with this genre than to write one?

Then I remembered that I am lazy.

So, CBC Book Clubbers, I need your help. We’re going to write this romance novel together. I’ve consulted the eHarlequin guide to How to Write the Perfect Romance and learned the most important things involved in writing a successful romance novel. With that in mind, let’s begin!

I’m as much of a book snob as the next person, but I’ve grown to respect the act of writing a little too much to let this pass without comment. I don’t get the derisive tone, I really don’t. Does she think this will endear her to the 78.4 million people who read romance novels every year, or to the authors who (even if you don’t like the genre) are crafting work that those (let me say it again) 78.4 million people read? This is a craft, and as usual she is lazily contemptuous of the creators of that craft.

It’s not about the books at all, is it? The point she really seems to be trying to make is that she could do it, if she weren’t so darn lazy.

This isn’t the first time that being lazy has been trotted out by this particular  writer. We’ve met Erin Balser before, no? It was she who I discussed in this post.  Perhaps it’s worth showing you again her illuminating biography from her site:

This is who the CBC hired to help produce their books coverage? I’m still trying to figure out how being lazy is an endearing quality. Lazy is what made her link to only Quill & Quire reviews of the books in the Top 40, regardless of the quality of those reviews (spotty). Lazy is what creates this groundswell of contempt toward the CBC on the part of readers/listeners. Lazy is what makes authors write (for free) holiday gift guides instead of finding thoughtful commentary on their books to post. Lazy is being snarktastic without substance to back you up.

Thing is, she’s a product of her age, and has created a niche for herself. She was probably hired by people a generation removed from her who don’t actually quite “get” the whole social media/twitter thing — who think she’s really connected because she and her friends all create the impression that they are a movement by incestuously (re)tweeting one another’s work and commenting on one another’s snarktastic websites.  Maybe they think that this is how things work now…. but what she must think is insouciant irreverence has turned the corner, most of the time, into contempt. Perhaps she doesn’t realize it? Who knows.

After I wrote about the CBC Canada Reads game a few times, I got this comment from Bonnie Stewart, educator, writer, and social media maven:

re. Canada Reads, i think my biggest issue is with the CBC’s apparent decision to leave the whole shebang in the hands of the tragically-hip 25 year old who set the tone. she treated it all like a big, ironic game and her ‘condescending cheerleader’ schtick has, IMO, set the case for social media in the arts in Canada back by 10 years. she did not have the professionalism to lead the contest, even if it was her idea. and she didn’t have the good sense god gave chickens to ensure that big novels that had ALREADY been on Canada Reads were set respectfully aside to make some limelight for, i dunno, the unexpected. she neither understands social media nor promotions nearly as well as she thinks she does, and my respect for the CBC is negatively impacted by her handling of this.

So, it’s not just me. There’s a groundswell out there of growing contempt for this type of arts… marketing (reportage? branding? I don’t even know what to call it.)  My feeling, whenever I read something she’s written is that no matter the subject, it’s really an exercise in selling Erin Balser.

I’m going to keep writing about this stuff. Odds are I’m going to see things that I disagree with. Reading the drivel that keeps getting put out there under the umbrella of the CBC Books makes me crazy. Can you see Erin and Eleanor Wachtel at lunch, talking literature? Or even with Shelagh Rogers — what a great meeting of the mind that would be.

Eventually, though, I’ll have had enough. I do want the CBC to know that it’s because she’s lazy that I’ll have stopped listening and reading.